14 Quotes by Arthur Rankin, Jr.
Arthur Rankin, Jr. was an American animator and filmmaker who lived from 1924 to 2014. He was best known for his work on television specials such as "Rudolph the Red-Nosed Reindeer" and "Frosty the Snowman," which have become holiday classics. Rankin was a pioneer in the field of stop-motion animation and his work was known for its distinctive style and charm. He continued to work in the animation industry throughout his life and was a beloved figure in the field. Rankin's work continues to be enjoyed by audiences of all ages and has become an important part of American pop culture. (Bio)
Arthur Rankin, Jr. Quotes
It's hard to be good at anything. If you're passionate, the chances are that you will find a job that will make you happy. (Meaning)
I think if you don't love people and aren't fascinated by them, you'll never succeed as a portrait photographer, because your pictures will look cold.
There's a time when people say your work is revolutionary, but you have to keep being revolutionary. I can't keep shooting pop stars all my life. You have to keep changing, keep pushing yourself, looking for the new, the unusual.
If you surround yourself with talented people and you give them the freedom to achieve, then the work will never fail. (Meaning)
At the end of the day, photography is ninety-nine percent business, connections, and politics and one percent creativity.
Photography to me is an addiction. I get jittery after a couple of days without a camera. Everyone who knows me says I'm happiest when I'm shooting.
It's important to be honest enough about your work, and the areas in which you can improve. I'm still learning every day and I'm still Hungry to create more and better work, hence the name.
At the end of the day, it's only a photograph and if someone is going to get really upset about a photograph, then they have a lot of issues. I just roll with it and see what happens.
I remember driving around with my parents when I was little and looking out of the window and being very aware that it was the shape of a film screen when you went to the cinema. This was how I first saw the world, framed through a car window.
My dad would often take me to the cinema and I found myself really seduced by the imagery, I think this had a massive impact on how I viewed the world.
When you look at pornography, the women become objects, whereas what I'm trying to do is make the person in the photograph as important as their body. And obviously, I like tits and arse, because I just do. I like the sex of taking photographs.
I think the relationship between print and film is symbiotic, it's more about evolving and complimenting your existing content. The two are very much interconnected.
I always used to say to my ex-girlfriends that I could never take a good photograph of them, because there was too much of an intimacy between us, but actually the real thing is, if there's a proper intimacy between you... I find it really compelling and exciting - it's quite good foreplay.
When I worked on an erotic shoot... I shot digitally. It helped the models get into it because they could come over and see what was happening. It was the closest to being sexual, because it was a participatory experience.
― Arthur Rankin, Jr. Quotes
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Tal Gur is an author, founder, and impact-driven entrepreneur at heart. After trading his daily grind for a life of his own daring design, he spent a decade pursuing 100 major life goals around the globe. His journey and most recent book, The Art of Fully Living, has led him to found Elevate Society.
