224 Quotes by Camille Paglia
Camille Paglia, an influential American author, cultural critic, and feminist, has been a provocative and outspoken voice in contemporary intellectual discourse. Born in 1947, Paglia gained recognition for her groundbreaking book "Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson," which explored the roles of sexuality and gender in art and culture throughout history. Her writing challenges conventional feminist perspectives and embraces a more individualistic and libertarian approach to gender and sexuality.
Paglia's work often delves into the complex interplay of art, history, and society, and she is known for her unapologetic defense of free speech and the importance of open debate. As a professor and public speaker, she has engaged in passionate and intellectually stimulating discussions on various topics, sparking both admiration and controversy. Paglia's intellectual fearlessness and her willingness to challenge established norms have left a lasting impact on feminist discourse and cultural analysis, making her an enduring figure in modern academic and philosophical circles.
Camille Paglia Quotes
History shows that male homosexuality, which like prostitution flourishes with urbanization and soon becomes predictably ritualized, always tends toward decadence.
The trauma of the Sixties persuaded me that my generation's egalitarianism was a sentimental error. I now see the hierarchical as both beautiful and necessary. Efficiency liberates; egalitarianism tangles, delays, blocks, deadens.
Not a shred of evidence supports the existence of matriarchy anywhere in the world at any time... The matriarchy hypothesis, revived by American feminism, continues to flourish outside the university.
Women's studies is a comfy, chummy morass of unchallenged groupthink . It is, with rare exception, totally unscholarly. Academic feminists have silenced men and dissenting women.
The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
Men have sacrificed and crippled themselves physically and emotionally to feed, house, and protect women and children. None of their pain or achievement is registered in feminist rhetoric, which portrays men as oppressive and callous exploiters.
There is no female Mozart because there is no female Jack the Ripper.
Rule of art: Cant kills creativity!
Prostitution is not just a service industry, mopping up the overflow of male demand, which always exceeds female supply. Prostitution testifies to the amoral power struggle of sex, which religion has never been able to stop. Prostitutes, pornographers, and their patrons are marauders in the forest of archaic night.
Human life began in flight and fear. Religion rose from rituals of propitiation, spells to lull the punishing elements.
Women are in league with each other, a secret conspiracy of hearts and pheromones
Promiscuity in men may cheapen love but sharpen thought. Promiscuity in women is illness, a leakage of identity.
The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
Butchery is not the point of vampirism. Sex - domination and submission - is.
The true mission of feminism today is not to carp about the woes of affluent Western career women but to turn the spotlight on life-and-death issues affecting women in the Third World, particularly in rural areas where they have little protection against exploitation and injustice.
Homosexuality is not 'normal' On the contrary it is a challenge to the norm...Nature exists whether academics like it or not. And in nature, procreation is the single relentless rule. That is the norm. Our sexual bodies were designed for reproduction...No one is born gay. The idea is ridiculous...homosexuality is an adaptation, not an inborn trait.
Leaving sex to the feminists is like letting your dog vacation at the taxidermist.
If civilization had been left in female hands we would still be living in grass huts.
Why has the Democratic Party become so arrogantly detached from ordinary Americans? Though they claim to speak for the poor and dispossessed, Democrats have increasingly become the party of an upper-middle-class professional elite, top-heavy with journalists, academics and lawyers.
If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.
Patriarchy, routinely blamed for everything, produced the birth control pill, which did more to free contemporary women than feminism itself.
Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.
The Bible has come under fire for making woman the fall guy in man's cosmic drama. But in casting a male conspirator, the serpent, as God's enemy, Genesis hedges and does not take its misogyny far enough. The Bible defensively swerves from God's true opponent, chthonian nature. The serpent is not outside Eve but in her. She is the garden and the serpent.
Consciousness is a pitiful hostage of its flesh-envelope, whose surges, circuits, and secret murmurings it cannot stay or speed. This is the chthonian drama that has no climax but only an enedless round, cycle upon cycle. Microcosm mirrors macrocosm. Free will is stillborn in the red cells of our body, for there is no free will in nature. Our choices come to us prepackaged and special delivery, molded by hands not our own.
Eroticism is mystique; that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.
Teaching is a performance art.
A woman simply is, but a man must become.
If someone offends you by speech, you must learn to defend yourself by speech.
Minerva save us from the cloying syrup of coercive compassion!
We cannot have a world where everyone is a victim. "I'm this way because my father made me this way. I'm this way because my husband made me this way." Yes, we are indeed formed by traumas that happen to us. But you must take charge, you must take over, you are responsible.
Economic analysis is the first principle of Marxism. Professors who were genuine leftists would have challenged the entire economics-driven machinery of American academe the wasteful multidepartmental structure, the divisive pedantry of overspecialization, the cronyism and sycophancy in recruitment and promotion, the boondoggling ostentation of pointless conferences, the exploitation of graduate students and part-time teachers, the subservience of faculty to overpaid administrators, the mediocrity and folly of the ruling cliques of the Modern Language Association.
We must take the best from the left and the best from the right to devise new strategies for the global twenty-first century. The reluctance of liberal professors to speak out against rampant abuses committed on their side (e.g., suppression of free speech, the excesses of women's studies and French theory) has simply increased the power of the right.
We do not need French post-structuralism, whose pedantic jargon, clumsy convolutions, and prissy abstractions have spread throughout academe and the arts and are now blighting the most promising minds of the next generation. This is a major crisis if there ever was one, and every sensible person must help bring it to an end.
Except for naval and air exercises, our military should be stationed on American soil, where service men and women can lead normal lives in close proximity to family and friends.
Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy.
Despite popular opinion, there are no important parallels between Madonna and Monroe, who was a virtuoso comedienne but who was in secure, depressive, passive-aggressive, and infuriatingly obstructionist in her career habits. Madonna is manic, perfectionist, workaholic. Monroe abused alcohol and drugs, while Madonna shuns them. Monroe had a tentative, melting, dreamy solipsism; Madonna has Judy Holliday's wisecracking smart mouth and Joan Crawford's steel will and bossy, circus master managerial competence.
Charisma is the numinous aura around a narcissistic personality. It flows outward from a simplicity or unity of being and a composure and controlled vitality. There is gracious accommodation, yet commanding impersonality. Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self love.
Madonna is the true feminist. She exposes the puritanism and suffocating ideology of American feminism, which is stuck in an adolescent whining mode. Madonna has taught young women to be fully female and sexual while still exercising control over their lives.
Cats are autocrats of naked self-interest. They are both amoral and immoral, consciously breaking rules. Their ''evil'' look at such times is no human projection: the cat may be the only animal who savors the perverse or reflects upon it
There's something retro about your persona. It's like the pre-World War II generation of reporters - those unpretentious, working-class guys who hung around saloons and used rough language. Now they've all been replaced with these effete Ivy League elitists who swarm over the current media. Nerds - utterly dull and insipid.
The prostitute is not, as feminists claim, the victim of men, but rather their conqueror, an outlaw, who controls the sexual channels between nature and culture
The Dionysian is no picnic.
Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women.
Pornography is human imagination in tense theatrical action; its violations are a protest against the violations of our freedom by nature.
Far from poisoning the mind, pornography shows the deepest truth about sexuality, stripped of romantic veneer.
We must accept our pain Change what we can and laugh at the rest
The artist makes art not to save mankind but to save himself. Every benevolent comment by an artist is a fog to cover his tracks, the bloody trail of his assault against reality and others.
Capitalism, gaudy and greedy, has been inherent in western aesthetics from ancient Egypt on. It is the mysticism and glamour of things , which take on a personality of their own. As an economic system, it is in the Darwinian line of Sade, not Rousseau.
When anything goes, it's women who lose.
Women will never be taken seriously until they accept full responsibility for their sexuality.
The moment there is imagination there is myth
Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
Western science is a product of the Apollonian mind: its hope is that by naming and classification, by the cold light of intellect, archaic night can be pushed back and defeated.
What feminism calls patriarchy is simply civilization , an abstract system designed by men but augmented and now co-owned by women.
Heterosexual love,. is in sync with cosmic forces. Not everyone has the stomach for daily war with nature.
The last western society to worship female powers was Minoan Crete. And significantly, that fell and did not rise again.
Men knew that if they devirginized a woman, they could end up dead within twenty-four hours. These controls have been removed.
Criticism at its best is re-creative, not spirit-killing.
The thrill of terror is passive, masochistic, and implicitly feminine. It is imaginative submission to overwhelming superior force.
Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention.
Contemporary feminism cut itself off from history and bankrupted itself when it spun its puerile, paranoid fantasy of male oppressors and female sex-object victims. Woman is the dominant sex.
Feminism has become a catch-all vegetable drawer where bunches of clingy sob sisters can store their moldy neuroses.
This was a good example of the fascist policing of public discourse in this country by nominal liberals who have become as unthinkingly wedded to dogma as any junior member of the Spanish Inquisition.
Are we like late Rome, infatuated with past glories, ruled by a complacent, greedy elite, and hopelessly powerless to respond to changing conditions?
Manhood coerced into sensitivity is no manhood at all.
If people could see the inside of my brain, I would be in prison.
The only thing that will be remembered about my enemies after they're dead is the nasty things I've said about them.
American universities are organized on the principle of the nuclear rather than the extended family. Graduate students are grimly trained to be technicians rather than connoisseurs. The old German style of universal scholarship has gone.
Masculinity is risky and elusive. It is achieved by a revolt from woman, and it is confirmed only by other men. Manhood coerced into sensitivity is no manhood at all.
Women are not in control of their bodies; nature is. Ancient mythology, with its sinister archetypes of vampire and Gorgon, is more accurate than feminism about the power and terror of female sexuality.
What I see is not a world of male oppression and female victimization, but an internation conspiracy by women to keep from men the knowledge of men's own frailty. A strange maternal protectiveness is at work.
Sotomayor's vainglorious lecture bromide about herself as 'a wise Latina' trumping white men is a vulgar embarrassment - a vestige of the bad old days of male-bashing feminism.
Now that virtually every career is an option for ambitious girls, it can no longer be considered regressive or reactionary to reintroduce discussion of marriage and motherhood to primary education. We certainly do not want to return to the simplistic duality of home economics classes for girls and wood shop for boys.
My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape.
Jesus was a brilliant Jewish stand-up comedian, a phenomenal improviser. His parables are great one-liners.
Freud says, "Man fears that his strength will be taken from him by woman, dreads becoming infected with her femininity and then proving himself a weakling." Masculinity must fight off effeminacy day by day. Woman and nature stand ever ready to reduce the male to boy and infant.
Ambitious young women today are taught to ignore or suppress every natural instinct, if it conflicts with the feminist agenda posed on them. All literary and artistic works, no matter how great, that document the ambivalence of female sexuality they are trained to dismiss as "misogynous." In other words, their minds are being programmed to secede from their bodies ... there is a huge gap between feminist rhetoric and women's actual sex lives, where feminism is of little help except with a certain stratum of deferential, malleable, white middle-class men.
The number one problem in academia today is not ignorant students but ignorant professors, who have substituted narrow "expertise" and "theoretical sophistication" (a preposterous term) for breadth and depth of learning in the world history of art and thought... Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion. This is one of the primary reasons for the dullness and ineptitude of so much twentieth-criticism, as compared to nineteenth-century belles-lettres.
Capitalism is an art form, an Apollonian fabrication to rival nature. It is hypocritical for feminists and intellectuals to enjoy the pleasures and conveniences of capitalism while sneering at it. Everyone born into capitalism has incurred a debt to it. Give Caesar his due.
Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it.
Women's studies needed a syllabus and so invented a canon overnight. It puffed up clunky, mundane contemporary women authors into Oz-like, skywriting dirigibles. Our best women students are being force-fed an appalling diet of cant, drivel and malarkey.
Sex is the point of contact between man and nature, where morality and good intentions fall to primitive urges.
Greek pederasty honored the erotic magnetism of male adolescence in a way that today brings police to the door. Children are more conscious and perverse than parents like to think.
In the real world, very smart people fail and mediocre people rise. Part of what makes people fail or succeed are skills that have nothing to do with IQ. Also, the idea that intelligence can be gauged by an IQ test is erroneous.
What troubles me about the "hostile workplace" category of sexual harassment policy is that women are being returned to their old status of delicate flowers who must be protected from assault by male lechers. It is anti-feminist to ask for special treatment for women.
It is not male hatred of women but male fear of women that is the great universal.
Male aggression and lust are the energizing factors in culture. They are men's tools of survival in the pagan vastness of female nature.
Anti-religious sneers are a hallmark of perpetual adolescents.
Man is not merely the sum of his masks. Behind the shifting face of personality is a hard nugget of self, a genetic gift.... The self is malleable but elastic, snapping back to its original shape like a rubber band. Mental illness is no myth, as some have claimed. It is a disturbance in our sense of possession of a stable inner self that survives its personae.
Woman's sexuality is disruptive of the dully mechanical workaday world, in which efficiency means uniformity. The problems of woman's entrance into the career system spring from more than male chauvinism. She brings nature into the social realm, which may be too small to contain it.
There are no accidents, only nature throwing her weight around. Even the bomb merely releases energy that nature has put there. Nuclear war would be just a spark in the grandeur of space. Nor can radiation alter nature: she will absorb it all. After the bomb, nature will pick up the cards we have spilled, shuffle them, and begin her game again.
Education has become a prisoner of contemporaneity.
In the west, Apollo and Dionysus strive for victory. Apollo makes the boundary lines that are civilization but that lead to convention, constraint, oppression. Dionysus is energy unbound, mad, callous, destructive, wasteful. Apollo is law, history, tradition, the dignity and safety of custom and form. Dionysus is the new, exhilarating but rude, sweeping all away to begin again. Apollo is a tyrant, Dionysus is a vandal.
High Romanticism shows you nature in all its harsh and lovely metamorphoses. Flood, fire and quake fling us back to the primal struggle for survival and reveal our gross dependency on mammoth, still mysterious forces.
Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon.
Repression is an evolutionary adaptation permitting us to function under the burden of our expanded consciousness. For what we are conscious of could drive us mad.
[W]earisome as it may seem, women must realize that, in making a commitment to a man, they have merged in his unconscious with his mother and have therefore inherited the ambivalence of that relationship.
Lacan , Derrida and Foucault are the perfect prophets for the weak, anxious academic personality, trapped in verbal formulas and perennially defeated by circumstances. They offer a self-exculpating cosmic explanation for the normal professorial state of resentment, alienation, dithering passivity and inaction.
When it defines man as the enemy, feminism is alienating women from their own bodies.
Children are monsters of unbridled egotism and will, for they spring directly from nature, hostile intimations of immorality.
The unhappy truth is that male homosexuality will never be fully accepted by the heterosexual majority, who are obeying the dictates not of bigoted society or religion but of procreative nature.
We live in a period of declining stars. Few celebrities these days (aside from the smoldering Angelina Jolie) seem to have complex psychic lives.
My argument has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature's fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.
Modernization means Westernization.
Male mastery in marriage is a social illusion, nurtured by women exhorting their creations to play and walk. At the emotional heart of every marriage is a pietà of mother and son.
Even a woman of abnormal will cannot escape her hormonal identity.
It's patriarchal society that has freed me as a woman.
There is a constant rush to judgment in Foucault. He is filled with specious generalizations, false categories, distortions, fudging, pretenses to knowledge in areas where he was ignorant. He had no ability whatsoever to distinguish among historical sources, where he makes terrible blunders.
We need a new kind of feminism, one that stresses personal responsibility and is open to art and sex in all their dark, unconsoling mysteries. The feminist of the fin de si?cle will be bawdy, streetwise, and on-the-spot confrontational, in the prankish Sixties way.
Young feminists have been sold a bill of goods about American feminism. The enormous changes in women over the past 40 years are constantly and falsely attributed to the organized women's movement of the late 1960s and '70s.
Science is a method of logical analysis of nature's operations. It has lessened human anxiety about the cosmos by demonstrating the materiality of nature's forces, and their frequent predictability.
Cats are autocrats of naked self-interest.
I view the prostitute as one of the few women who is totally in control of her fate, totally in control of the realm of sex. The lesbian feminists tried to take control of female sexuality away from men - but the prostitute was doing that all along.
Straight men who visit prostitutes are valiantly striving to keep sex free from emotion, duty, family--in other words, from society, religion, and procreative Mother Nature.
What has been forgotten is that there were major intellectual breakthroughs in the 1960s, thanks to North American writers of an older generation. There was a rupture in continuity, since most young people influenced by those breakthroughs did not enter the professions.
My thinking tends to be libertarian. That is, I oppose intrusions of the state into the private realm-as in abortion, sodomy, prostitution, pornography, drug use, or suicide, all of which I would strongly defend as matters of free choice in a representative democracy.
Personality maintains its discreetness by an act of will. Otherwise one person will flow helplessly into another.
Considering the popularity of soaps with the African-American audience, it's grotesque that the entertainment industry, for all its vaunted liberalism, is lagging so far behind social changes in the United States. And why has there never been an all-black daytime network soap? It would probably blow the white soaps off the map.
There you have it: an expensive higher education based on sloganeering, on pat, trite phrases that substitute moral posturing for political reasoning. It's elitism masquerading as egalitarianism.
It's so tiring to make love to women, it takes forever. I'm too lazy to be a lesbian.
Although I'm an atheist who believes only in great nature, I recognize the spiritual richness and grandeur of the Roman Catholicism in which I was raised.
Great women scholars like Jane Harrison and Gisela Richter were produced by the intellectual discipline of the masculine classical tradition, not the wishy-washy sentimentalism of clingy, all-forgiving sisterhood, from which no first-rate book has yet emerged. Every year, feminists provide more and more evidence for the old charge that women can neither think nor write.
Science cannot avert a single thunderbolt.
Butterfield 8, with its call-girl heroine working her way down the alphabet of men from Amherst to Yale, appeared at a very formative moment in my adolescence and impressed me forever with the persona of the prostitute, whom I continue to revere. The prostitute is not, as feminists claim, the victim of men, but rather their conqueror, an outlaw, who controls the sexual channels between nature and culture.
The idea that emotion can be separated from sex is a Christian illusion, one of the most ingenious but finally unworkable strategies in Christianity's ancient campaign against pagan nature.
Over the past 20 years, I have noticed that the most flexible, dynamic, inquisitive minds among my students have been industrial design majors. Industrial designers are bracingly free of ideology and cant. The industrial designer is trained to be a clear-eyed observer of the commercial world - which, like it or not, is modern reality.
Every reading is partial, but that does not absolve us from the quest for meaning, which defines us as a species.
Homeric mind is ingenuity, practical intelligence. There is no Rodin-like deep thinking, no mathematical or philosophical speculation. Odysseus thinks with his hands.
The more woman aims for personal identity and autonomy ... the fiercer will be her struggle with nature - that is, with the intractable physical laws of her own body. And the more nature will punish her: 'Do not dare to be free! For your body does not belong to you.'
The most successful prostitutes are invisible, because the sign of a prostitute's success is her absolute blending with the environment. She's so shrewd, she never becomes visible. She never gets in trouble. She has command of her life, and her clients.
Sex IS power. Identity is power. In western culture, there are no nonexploitative relationships. Everyone has killed in order to live.
I admire hard-bitten, wisecracking realism of Ida Lupino and the film noir heroines. I'm sick of simpering white girls with their princess fantasies.
Is there intellectual life in America? At present, the answer is no.
There is no true expertise in the humanities without knowing all of the humanities. Art is a vast, ancient interconnected web-work, a fabricated tradition. Over-concentration on any one point is a distortion.
All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
My generation of the Sixties, with all our great ideals, destroyed liberalism, because of our excesses.
The moral ambivalence of the great mother goddesses has been conveniently forgotten by those American feminists who have resurrected them. We cannot grasp nature's bare blade without shedding our own blood.
Men chase by night those they will not greet by day.
We should teach general ethics to both men and women, but sexual relationships themselves must not be policed. Sex, like the city streets, would be risk-free only in totalitarian regimes.
Television is actually closer to reality than anything in books. The madness of TV is the madness of human life.
The venerable emeritus professors still at Yale when I entered graduate school [in the 1960s] may have been reserved, puritanical WASPs, but they were men of honor who had given their lives to scholarship. Today in the elite schools, honor and ethics are gone.
Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.
Any woman who stays with her abuser beyond the first incident is complicitous with him.
Society is an artificial construction, a defense against nature's power.
I hate dogma in any form. I hated it in the Catholic Church and Girl Scout troops of the 1950s, and I hate in in gay activism and established feminism today.
Man has traditionally ruled the social sphere; feminism tells him to move over and share his power. But woman rules the sexual and emotional sphere, and there she has no rival. Victim ideology, a caricature of social history, blocks women from recognition of their dominance in the deepest, most important realm. ?
All men even, I have written, Jesus Christ began as flecks of tissue inside a woman's womb. Every boy must stagger out of the shadow of a mother goddess, whom he never fully escapes.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
All great stars are competitive. That's a sign of a true artist - if you don't have the fire of competition deep down inside, you're never going to achieve anything. You have to want to be king of the heap.
American high schools have physically imprisoned young people, stripped them of civil liberties and fed them a diet of p.c. pap.
American feminism's nose dive began when Kate Millet, that imploding beanbag of poisonous self-pity, declared Freud a sexist. Trying to build a sex theory without studying Freud, women have made nothing but mud pies.
Anyone who gets his or her political news primarily from the New York Times (which made the ethically challenged carpetbagger Hillary a senator) is a fool.
In sex, man is driven into the very abyss which he flees. He makes a voyage to non-being and back.
What is pretty in nature is confined to the thin skin of the globe upon which we huddle. Scratch that skin, and nature's daemonic ugliness will erupt.
Mental illness is no myth, as some have claimed. It is a disturbance in our sense of possession of a stable inner self that survives its personae.
Your life is a Fellini film, lacking only Anita Ekberg with a cat on her head.
The female body is a chthonian machine, indifferent to the spirit who inhabits it.
The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.
In negotiating with rejected lovers or husbands, women must stop thinking they can make everyone happy. In many cases of harassment and stalking, it is clear that the woman never learned how to terminate the fantasy which requires resolution and decisiveness on their part. Wavering, dithering, or passive hysterical fear will only intensify or prolong pursuit.
The saints, many of them women, warred with themselves as well as God. The body has its own animal urges, just as there are attractions and repulsions in sex that modern liberalism cannot face.
Though men may be deep, mentally they are slow.
Very gifted people may be sociopathic in varying degrees.
Not until all babies are born from glass jars will the combat cease between mother and son.
The North American intellectual tradition began, I maintain, in the encounter of British Romanticism with assertive, pragmatic North American English - the Protestant plain style in both the U.S. and Canada, with its no-nonsense Scottish immigrants.
I'm for a high libido president! I applaud him if he gets up and picks up women.
The most viciously intolerant campus I ever visited as a lecturer was Brown, where the humanities program has been gutted by a jejune brand of feminist theory and cultural and media studies.
Effeminate men have suffered a bad press the world over.
Men, gay or straight, can get beauty and lewdness into one image. Women are forever softening, censoring, politicizing. ?
Sappho is a great poet because she is a lesbian, which gives her erotic access to the Muse. Sappho and the homosexual-tending Emily Dickinson stand alone above women poets, because poetry's mystical energies are ruled by a hierach requiring the sexual subordination of her petitioners. Women have achieved more as novelists than as poets because the social novel operates outside the ancient marriage of myth and eroticism.
Younger women have no problem in reconciling beauty with ambitions as a professional woman.
Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.
I believe that everybody has the right to view his or her own body as a palette. However, I think intellectuals should at least try to be role models.
We remain in the Romantic cycle initiated by Rousseau: liberal idealism canceled by violence, barbarism, disillusionment and cynicism.
There is such a thing as seduction, and it needs encouragement rather than discouragement in our puritanical Anglo-American world.
Judeo-Christians have got to respect the pagan truth shown in the popular culture of sex and violence. It's meaningful about the elemental forces of life, the brutality of life and nature.
One of the most startling discoveries of my career was when I realized that the strongest women in the world are not lesbians but heterosexual women, who know how to handle men.
Every year, feminists provide more and more evidence for the old charge that women can neither think nor write.
When feminist discourse is unable to discriminate the drunken fraternity brother from the homicidal maniac, women are in trouble.
Gay men are guardians of the masculine impulse. To have anonymous sex in a dark alleyway is to pay homage to the dream of male freedom. The unknown stranger is a wandering pagan god. The altar, as in pre-history, is anywhere you kneel.
Gay men may seek sex without emotion; lesbians often end up in emotion without sex.
Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.
Feminism, in all fields, has yet to produce a single scholar of the intellectual rank of scores of these learned men [e.g., Bruno Snell, Albin Lesky, Denys Page] in the German and British academic tradition.
In the Seventies, women runners, developing amenorrhea and calcium-related shin splints, were the first to realize that nature is hovering over us, ready to shut down our systems if our fetus-feeding fat reserve drops below a certain percentage of body weight. In other words, in nature's eyes we are nothing but milk sacs and fat deposits.
Running to Mommy and Daddy on the campus grievance committee is unworthy of strong women.
Male conspiracy cannot explain all female failures. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. Genius is not checked by social obstacles: it will overcome.
Today, the ideal male is the gay man and the ideal female is the worker female, the woman who can work in a coal mine just like all the other men.
There are no female geniuses because there are no female Jack-the-Rippers.
Foucault is the Cagliostro of our time.
All the genres of philosophy, science, high art, athletics and politics were invented by men. But by the Promethean law of conflict and capture, woman has a right to seize what she will and vie with man on her own terms.
Profanation and violation are part of the perversity of sex, which never will conform to liberal theories of benevolence. Every model of morally or politically correct sexual behavior will be subverted by nature's daemonic law.
My problem is that I do not get along with lesbians at all. They don't like me, and I don't like them.
A society that forgets about art risks loslng its soul.
Despite hundreds of studies, cause-and-effect relationship between pornography and violence has never been satisfactorily proved.
Rush Limbaugh is a principled conservative, master broadcaster and stinging social critic who has won his mammoth following through his own energy, individualism and wit. His daily radio show is the one reliable place ordinary citizens can turn to for a different perspective in the blizzard of propaganda and disinformation from the Northeastern media establishment. History will show that Limbaugh was a major force over the past decade in waking this country up from its p.c. coma.
Only utopian liberals could be surprised that the Nazis were art connoisseurs.
Capitalism has its weaknesses. But it is capitalism that ended the stranglehold of the hereditary aristocracies, raised the standard of living for most of the world and enabled the emancipation of women.
The Bobbit case, which brought to life the ancient mythic archetype of woman as castrator, demonstrated that women are as aggressive as men and that sex is a dark, dangerous force of nature. But of course the feminist establishment, stuck in its battered-woman blinders, learned nothing as usual from this lurid refutation of its normal views. Classic art works like Bizet's Carmen tell us more about the irrationality of love, jealousy and revenge than do all the pat formulas of the counseling industry.
Social justice and compassion are compatible with an intelligent respect for private enterprise and law and order.
My anti-liberal position should not be mistaken for conservatism.
As a major contemporary composer, Madonna should not let the eye dictate to the ear.
Gloria Steinem's marriage is proof positive of the emotional desperation of ageing feminists who for over 30 years worshiped the steely career woman and callously trashed stay-at-home moms.
Many, perhaps most, very learned people prefer the company of their books to sitting in a crowd listening to history and art being mangled; furthermore, it is unlikely that the venerable scholars will stand up afterward to declare, "This lecture was a load of crap." The more profound a professor's distaste with the proceedings, the more likely he is to melt away at the end of the talk.
How many modern transsexuals are unacknowledged shamans? Perhaps it is to poets they should go for counsel, rather than surgeons.
All fear of 'offensive' speech is bourgeois and reactionary. Historically, profane or bawdy language was common in both the upper and the lower classes, who lived together in rural areas amid the untidy facts of nature. Notions of propriety and decorum come to the fore in urbanized periods ruled by an expanding middle class, which is obsessed with cleanliness, respectability, and conformism.
Computer enhancement has spread to still photography in advertisements, fashion pictorials, and magazine covers, where the human figure and face are subtly elongated or remodeled at will. Caricature is our ruling mode.
Every man harbors an inner female territory ruled by his mother, from whom he can never entirely break free.
Lacan is a tyrant who must be driven from our shores. Narrowly trained English professors who know nothing of art history or popular culture think they can just wade in with Lacan and trash everything in sight.
The western mind makes definitions; it draws lines.
Feminism is dead. The movement is absolutely dead. The women's movement tried to suppress dissident voices for way too long. There's no room for dissent.
Society is a system of inherited forms reducing our humiliating passivity to nature. We may alter these forms, slowly or suddenly, but no change in society will change nature.
The smouldering eroticism of great European actresses like Jeanne Moreau demonstrated to my generations women's archetypal mystery and glamour, completely missing from the totalitarian world-view of the misogynist Foucault. For me, the big French D is not Derrida, but Deneuve.
For me, the Profumo affair symbolizes the evanescence of male government compared to women's cosmic power.
The plastic surgery issue is really looming because girls in the U.S. are getting it in their teens.
Hollywood movies of the Fifties, like The Ten Commandments and Ben-Hur, with their epic clash of pagan and Judeo-Christian cultures, tell more about art and society than the French-infatuated ideologues who have made a travesty of the "best" American higher criticism.
The piddling ignoramuses who deny that there is a distinct, discernible, objective western tradition are just woozy literati.
French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe.
The real butches are straight ... dealing with and controlling men makes you stronger.
I'm a professor of media studies as well as humanities, and I'm an evangelist of popular culture, but when there's only media, then there's going to be a slow debasement of language, and that's what I think we're fighting.
Men who shrink from penetration of the female body are paralyzed by justifiable apprehension, since they are returning to our uncanny site of origin.
Academic Marxism is a fantasy world, and unctuous compassion-sweepstakes, into which real workers or peasants never penetrate.
Every month, it is woman's fate to face the abyss of time and being, the abyss which is herself.
My prescription for women entering the war zone of the professions: study football. . . . Women who want to remake the future should look for guidance not to substitute parent figures but to the brash assertions of pagan sport.
Imperialism and slavery are no white male monopoly, but are everywhere from Egypt, Assyria, and Persia to India, China and Japan.
The search for freedom through sex is doomed to failure.
― Camille Paglia Quotes
Chief Editor
Tal Gur is an author, founder, and impact-driven entrepreneur at heart. After trading his daily grind for a life of his own daring design, he spent a decade pursuing 100 major life goals around the globe. His journey and most recent book, The Art of Fully Living, has led him to found Elevate Society.