100 Top Quotes From Big Magic
Big Magic is a captivating and inspirational exploration of creativity and the pursuit of artistic expression. Elizabeth Gilbert, renowned for her bestselling memoir "Eat, Pray, Love," delves into the enchanting world of creativity, urging readers to embrace their inherent curiosity and passion for creation.
Gilbert presents a refreshing perspective on the nature of inspiration, portraying it as a mystical and elusive force that seeks collaboration with willing human partners. By dispelling the myths surrounding creativity and confronting the fears that hold individuals back from pursuing their artistic ambitions, Gilbert empowers readers to overcome self-doubt and embrace the joy of creative expression.
The book emphasizes the importance of persistence, discipline, and courage in nurturing creativity, while also advocating for a lighthearted and playful approach to the creative process. Big Magic serves as a delightful and insightful guide for aspiring artists, writers, and creators of all kinds, offering them a roadmap to cultivate their passions, follow their curiosity, and find fulfillment through the boundless magic of creativity. (Big Magic Summary).
Big Magic Quotes
"The universe buries strange jewels deep within us all, and then stands back to see if we can find them.” (Meaning)
"Be the weirdo who dares to enjoy.”
"Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart.”
"You can measure your worth by your dedication to your path, not by your successes or failures.”
"Done is better than good.”
"So this, I believe, is the central question upon which all creative living hinges: Do you have the courage to bring forth the treasures that are hidden within you?”
"A creative life is an amplified life. It’s a bigger life, a happier life, an expanded life, and a hell of a lot more interesting life. Living in this manner—continually and stubbornly bringing forth the jewels that are hidden within you—is a fine art, in and of itself.”
"Anyhow, the older I get, the less impressed I become with originality. These days, I’m far more moved by authenticity. Attempts at originality can often feel forced and precious, but authenticity has quiet resonance that never fails to stir me.”
"Recognizing that people's reactions don't belong to you is the only sane way to create. If people enjoy what you've created, terrific. If people ignore what you've created, too bad. If people misunderstand what you've created, don't sweat it. And what if people absolutely hate what you've created? What if people attack you with savage vitriol, and insult your intelligence, and malign your motives, and drag your good name through the mud? Just smile sweetly and suggest - as politely as you possibly can - that they go make their own fucking art. Then stubbornly continue making yours.”
"Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder...”
"You're not required to save the world with your creativity. Your art not only doesn't have to be original, in other words, it also doesn't have to be important. For example, whenever anyone tells me that they want to write a book in order to help other people I always think 'Oh, please don't. Please don't try to help me.' I mean it's very kind of you to help people, but please don't make it your sole creative motive because we will feel the weight of your heavy intention, and it will put a strain upon our souls.”
"It seems to me that the less I fight my fear, the less it fights back. If I can relax, fear relaxes, too.”
"Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.”
"But to yell at your creativity, saying, “You must earn money for me!” is sort of like yelling at a cat; it has no idea what you’re talking about, and all you’re doing is scaring it away, because you’re making really loud noises and your face looks weird when you do that.”
"It’s a simple and generous rule of life that whatever you practice, you will improve at.”
"Argue for your limitations and you get to keep them.”
"What do you love doing so much that the words failure and success essentially become irrelevant?”
"Creativity is sacred, and it is not sacred. What we make matters enormously, and it doesn’t matter at all. We toil alone, and we are accompanied by spirits. We are terrified, and we are brave. Art is a crushing chore and a wonderful privilege. Only when we are at our most playful can divinity finally get serious with us. Make space for all these paradoxes to be equally true inside your soul, and I promise—you can make anything. So please calm down now and get back to work, okay? The treasures that are hidden inside you are hoping you will say yes.”
"Living a life that is driven more strongly by curiosity than by fear.”
"Perfectionism is just fear in fancy shoes and a mink coat.”
"Own your disappointment, acknowledge it for what it is, and move on.”
"I believe that our planet is inhabited not only by animals and plants and bacteria and viruses, but also by ideas. Ideas are a disembodied, energetic life-form. They are completely separate from us, but capable of interacting with us—albeit strangely. Ideas have no material body, but they do have consciousness, and they most certainly have will. Ideas are driven by a single impulse: to be made manifest. And the only way an idea can be made manifest in our world is through collaboration with a human partner. It is only through a human’s efforts that an idea can be escorted out of the ether and into the realm of the actual.”
"Ideas are driven by a single impulse: to be made manifest.”
"If you’re alive, you’re a creative person.”
"It might have been done before, but it hasn’t been done by you!”
"Creative entitlement simply means believing that you are allowed to be here, and that—merely by being here—you are allowed to have a voice and a vision of your own.”
"Basically, your fear is like a mall cop who thinks he’s a Navy SEAL: He hasn’t slept in days, he’s all hopped up on Red Bull, and he’s liable to shoot at his own shadow in an absurd effort to keep everyone safe.”
"If I am not actively creating something, then I am probably actively destroying something”
"Dearest Fear: Creativity and I are about to go on a road trip together. I understand you’ll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to induce complete panic whenever I’m about to do anything interesting—and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only”
"Create whatever causes a revolution in your heart. The rest of it will take care of itself.”
"You can clear out whatever obstacles are preventing you from living your most creative life, with the simple understanding that whatever is bad for you is probably also bad for your work.”
"So whenever that brittle voice of dissatisfaction emerges within me, I can say ""Ah, my ego! There you are, old friend!"" It's the same thing when I'm being criticized and I notice myself reaching with outrage, heartache, or defensiveness. It's just my ego, flaring up and testing its power. In such circumstances, I have learned to watch my heated emotions carefully, but I try not to take them too seriously, because I know that it's merely my ego that has been wounded--never my soul It is merely my ego that wants revenge, or to win the biggest prize. It is merely my ego that wants to start a Twitter war against a hater, or to sulk at an insult or to quit in righteous indignation because I didn't get the outcome I wanted. "At such times, I can always steady my life one more by returning to my soul. I ask it, ""And what is it that you want, dear one?" The answer is always the same: "More wonder, please." As long as I'm still moving in that direction -toward wonder- then I know I will always be fine in my soul, which is where it counts. And since creativity is still the most effective way for me to access wonder, I choose it.”
"Possessing a creative mind, after all, is something like having a border collie for a pet: It needs to work, or else it will cause you an outrageous amount of trouble. Give your mind a job to do, or else it will find a job to do, and you might not like the job it invents (eating the couch, digging a hole through the living room floor, biting the mailman, etc.). It has taken me years to learn this, but it does seem to be the case that if I am not actively creating something, then I am probably actively destroying something (myself, a relationship, or my own peace of mind).”
"Give your mind a job to do, or else it will find a job to do, and you might not like the job it invents.”
"A good-enough novel violently written now is better than a perfect novel meticulously written never.”
"You don’t need to conduct autopsies on your disasters.”
"I think perfectionism is just fear in fancy shoes and a mink coat, pretending to be elegant when actually it's just terrified. Because underneath that shiny veneer, perfectionism is nothing more that a deep existential angst the says, again and again, 'I am not good enough and I will never be good enough.”
"We are all just beginners here, and we shall all die beginners.”
"You can resist the seductions of grandiosity, blame, and shame. You can support other people in their creative efforts, acknowledging the truth that there’s plenty of room for everyone. You can measure your worth by your dedication to your path, not by your successes or failures. You can battle your demons (through therapy, recovery, prayer, or humility) instead of battling your gifts—in part by realizing that your demons were never the ones doing the work, anyhow. You can believe that you are neither a slave to inspiration nor its master, but something far more interesting—its partner—and that the two of you are working together toward something intriguing and worthwhile. You can live a long life, making and doing really cool things the entire time. You might earn a living with your pursuits or you might not, but you can recognize that this is not really the point. And at the end of your days, you can thank creativity for having blessed you with a charmed, interesting, passionate existence.”
"It starts by forgetting about perfect. We don’t have time for perfect. In any event, perfection is unachievable: It’s a myth and a trap and a hamster wheel that will run you to death. The writer Rebecca Solnit puts it well: “So many of us believe in perfection, which ruins everything else, because the perfect is not only the enemy of the good; it’s also the enemy of the realistic, the possible, and the fun... The most evil trick about perfectionism, though, is that it disguises itself as a virtue.”
"My soul, when I tend to it, is a far more expansive and fascinating source of guidance than my ego will ever be, because my soul desires only one thing: wonder. And since creativity is my most efficient pathway to wonder, I take refuge there, and it feeds my soul, and it quiets the hungry ghost—thereby saving me from the most dangerous aspect of myself.”
"But never delude yourself into believing that you require someone else’s blessing (or even their comprehension) in order to make your own creative work.”
"The guardians of high culture will try to convince you that the arts belong only to a chosen few, but they are wrong and they are also annoying.”
"You must learn how to become a deeply disciplined half-ass.”
"It ain’t what they call you; it’s what you answer to.”
"The universe buries strange jewels deep within us all, and then stands back to see if we can find them. The hunt to discover those jewels––that's creative living.”
"If you’re going to live your life based on delusions (and you are, because we all do), then why not at least select a delusion that is helpful?”
"I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume.”
"The essential ingredients for creativity remain exactly the same for everybody: courage, enchantment, permission, persistence, trust—and those elements are universally accessible. Which does not mean that creative living is always easy; it merely means that creative living is always possible.”
"Whatever you do, try not to dwell too long on your failures. You don’t need to conduct autopsies on your disasters.”
"Failure has a function. It asks you whether you really want to go on making things.”
"Because the truth is, I believe that creativity is a force of enchantment—not entirely human in its origins.”
"Your life is short and rare and amazing and miraculous, and you want to do really interesting things and make really interesting things while you’re still here.”
"Ideas are alive, that ideas do seek the most available human collaborator, that ideas do have a conscious will, that ideas do move from soul to soul, that ideas will always try to seek the swiftest and most efficient conduit to the earth (just as lightning does).”
"Fear is always triggered by creativity, because creativity asks you to enter into realms of uncertain outcome. This is nothing to be ashamed of. It is, however, something to be dealt with.”
"Pure creativity is magnificent expressly because it is the opposite of everything else in life that’s essential or inescapable (food, shelter, medicine, rule of law, social order, community and familial responsibility, sickness, loss, death, taxes, etc.). Pure creativity is something better than a necessity; it’s a gift. It’s the frosting. Our creativity is a wild and unexpected bonus from the universe.”
"Create whatever causes a revolution in your heart.”
"Let people have their opinions. More than that--let people love their opinions, just as you and I are in love with ours. But never delude yourself into believing that you require someone else's blessing (or even their comprehension) in order to make your own creative work. And always remember that people's judgments about you are none of your business.”
"I think it’s a mighty act of human love to remind somebody that they can accomplish things by themselves, and that the world does not automatically owe them any reward, and that they are not as weak and hobbled as they may believe.”
"Anyhow, what else are you going to do with your time here on earth—not make things? Not do interesting stuff? Not follow your love and your curiosity?”
"Just say what you want to say... and say it with all your heart.”
"I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more that that. They might throw you out - but then again, they might not."
"Do you have the courage to bring forth the treasures that are hidden within you?”
"Do you have the courage? Do you have the courage to bring forth this work? The treasures that are hidden inside you are hoping you will say yes.”
"Creativity is a path for the brave, yes, but it is not a path for the fearless, and it’s important to recognize the distinction. Bravery means doing something scary. Fearlessness means not even understanding what the word scary means. If your goal in life is to become fearless, then I believe you’re already on the wrong path, because the only truly fearless people I’ve ever met were straight-up sociopaths and a few exceptionally reckless three-year-olds—and those aren’t good role models for anyone.”
"Because without that source of wonder, I know that I am doomed. Without it, I will forever wander the world in a state of bottomless dissatisfaction—nothing but a howling ghost, trapped in a body made of slowly deteriorating meat.”
"I've never seen any life transformation that didn't begin with the person in question finally getting tired of their own bullshit.”
"If you’re alive, you’re a creative person. You and I and everyone you know are descended from tens of thousands of years of makers. Decorators, tinkerers, storytellers, dancers, explorers, fiddlers, drummers, builders, growers, problem-solvers, and embellishers—these are our common ancestors. The guardians of high culture will try to convince you that the arts belong only to a chosen few, but they are wrong and they are also annoying. We are all the chosen few. We are all makers by design. Even if you grew up watching cartoons in a sugar stupor from dawn to dusk, creativity still lurks within you. Your creativity is way older than you are, way older than any of us. Your very body and your very being are perfectly designed to live in collaboration with inspiration, and inspiration is still trying to find you—the same way it hunted down your ancestors.”
"What you produce is not necessarily always sacred, I realized, just because you think it’s sacred. What is sacred is the time that you spend working on the project, and what that time does to expand your imagination, and what that expanded imagination does to transform your life.”
"We must understand the need for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend to render something flawless, somebody will always be able to find fault with it.”
"The clock is ticking, and the world is spinning, and we simply do not have time anymore to think so small.”
"Genetic randomness had already determined how much talent I’d been allotted, and destiny’s randomness would account for my share of luck. The only piece I had any control over was my discipline. Recognizing that, it seemed like the best plan would be to work my ass off. That was the only card I had to play, so I played it hard.”
"An abiding stereotype of creativity is that it turns people crazy. I disagree: Not expressing creativity turns people crazy. (“If you bring forth what is within you, what you bring forth will save you. If you don’t bring forth what is within you, what you don’t bring forth will destroy you.”—Gospel of Thomas.)”
"You are worthy, dear one, regardless of the outcome. You will keep making your work, regardless of the outcome. You will keep sharing your work, regardless of the outcome. You were born to create, regardless of the outcome. You will never lose trust in the creative process, even when you don't understand the outcome.”
"I happen to believe we are all walking repositories of buried treasure.”
"At some point, you really just have to finish your work and release it as is-if only so you can go on and make other things with a glad and determined heart.”
"Go be whomever you want to be, then. Do whatever you want to do. Pursue whatever fascinates you and brings you to life.”
"I firmly believe that we all need to find something to do in our lives that stops us from eating the couch.”
"Gratitude, always. Always, gratitude.”
"You want to write a book? Make a song? Direct a movie? Decorate pottery? Learn a dance? Explore a new land? You want to draw a penis on your wall? Do it. Who cares? It’s your birthright as a human being, so do it with a cheerful heart. (I mean, take it seriously, sure—but don’t take it seriously.) Let inspiration lead you wherever it wants to lead you.”
"If you can't do what you long to do, go do something else. Go walk the dog, go pick up every bit of trash on the street outside your home, go walk the dog again, go bake a peach cobbler, go paint some pebbles with brightly colored nail polish and put them in a pile. You might think it's procrastiantion, but - with the right intention - it isn't; it's motion. And any motion whatsoever beats inertia, because inspiration will always be drawn to motion.”
"You can recognize the people who live for others by the haunted look on the faces of the others.”
"Perhaps creativity’s greatest mercy is this: By completely absorbing our attention for a short and magical spell, it can relieve us temporarily from the dreadful burden of being who we are. Best of all, at the end of your creative adventure, you have a souvenir—something that you made, something to remind you forever of your brief but transformative encounter with inspiration.”
"There is a famous question that shows up, it seems, in every single self-help book ever written: What would you do if you knew that you could not fail? But I’ve always seen it differently. I think the fiercest question of all is this one: What would you do even if you knew that you might very well fail? What do you love doing so much that the words failure and success essentially become irrelevant? What do you love even more than you love your own ego? How fierce is your trust in that love?”
"Are you considering becoming a creative person? Too late, you already are one. To even call somebody ""a creative person"" is almost laughably redundant; creativity is the hallmark of our species. We have the sense for it; we have the curiosity for it; we have the opposable thumbs for it; we have the rhythm for it; we have the language and the excitement and the innate connection to divinity for it."
"I've had to keep defining and defending myself as a writer every single day of my adult life -constantly reminding and re-reminding my soul and the cosmos that I'm very serious about the business of creative living, and that I will never stop creating, no matter what the outcome, and no matter how deep my anxieties and insecurities may be.”
"When I refer to "creative living," I am speaking more broadly. I'm talking about living a life that is driven more strongly by curiosity than by fear.”
"And maybe it’s like that with every important aspect of your life. Whatever it is you are pursuing, whatever it is you are seeking, whatever it is you are creating, be careful not to quit too soon.”
"The universe buries strange jewels deep within us all, and then stands back to see if we can find them. The hunt to uncover those jewels—that’s creative living. The courage to go on that hunt in the first place—that’s what separates a mundane existence from a more enchanted one.”
"I have watched so many other people murder their creativity by demanding that their art pay the bills.”
"Art is absolutely meaningless. It is, however, also deeply meaningful.”
"And what if people absolutely hate what you’ve created? What if people attack you with savage vitriol, and insult your intelligence, and malign your motives, and drag your good name through the mud? Just smile sweetly and suggest—as politely as you possibly can—that they go make their own fucking art.”
"This is likely because you’re so consumed by your own dramas, anxieties, distractions, insecurities, and duties that you aren’t receptive to inspiration.”
"It has taken me years to learn this, but it does seem to be the case if that I am not actively creating something, then I am probably actively destroying something”
"Learning how to endure your disappointment and frustration is part of the job o fa creative person...Frustration is not an interruption of your process; frustration is the process.”
"There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed. You’re allowed to have a seat, and you’re allowed to have a voice, but you are not allowed to have a vote.”
"I think perfectionism is just a high-end, haute couture version of fear.”
"Your creative work is not your baby; if anything, you are its baby.”
"I don’t want to be afraid of bright colors, or new sounds, or big love, or risky decisions, or strange experiences, or weird endeavors, or sudden changes, or even failure.”
"Speak to your darkest and most negative interior voices the way a hostage negotiator speaks to a violent psychopath: calmly, but firmly. Most of all, never back down. You cannot afford to back down. The life you are negotiating to save, after all, is your own.”
"He seemed to live in a state of uninterrupted marvel,”
"No, when I refer to “creative living,” I am speaking more broadly. I’m talking about living a life that is driven more strongly by curiosity than by fear.”
"Debt will always be the abattoir of creative dreams.”
"Your art not only doesn’t have to be original, in other words; it also doesn’t have to be important.”
"Because often what keeps you from creative living is your self-absorption (your self-doubt, your self-disgust, your self-judgment, your crushing sense of self-protection).”
"All I know for certain is that this is how I want to spend my life—collaborating to the best of my ability with forces of inspiration that I can neither see, nor prove, nor command, nor understand. It’s a strange line of work, admittedly. I cannot think of a better way to pass my days.”
"Do what you love to do, and do it with both seriousness and lightness. At least then you will know that you have tried and that—whatever the outcome—you have traveled a noble path.”
"Martyr says: “Life is pain.” Trickster says: “Life is interesting.”
"I can only be in charge of producing the work itself. That’s a hard enough job. I refuse to take on additional jobs, such as trying to police what anybody thinks about my work once it leaves my desk.”
"I am a child of God, just like anyone else. I am a constituent of this universe. I have invisible spirit benefactors who believe in me, and who labor alongside me. The fact that I am here at all is evidence that I have the right to be here. I have a right to my own voice and a right to my own vision. I have a right to collaborate with creativity, because I myself am a product and a consequence of Creation.”
― Quotes from the book Big Magic by Elizabeth Gilbert
Big Magic Author
Elizabeth Gilbert is a gifted author known for her ability to weave captivating narratives that explore the human experience with authenticity and vulnerability. Best known for her memoir "Eat, Pray, Love," Gilbert takes readers on a transformative journey of self-discovery, as she travels to Italy, India, and Indonesia in search of meaning and fulfillment. Her writing captures the essence of resilience, love, and spirituality, inspiring readers to embrace life's uncertainties and find their own paths to happiness. Beyond her memoir, Gilbert's other works, such as "Big Magic: Creative Living Beyond Fear," delve into the realm of creativity and encourage individuals to pursue their artistic passions fearlessly. Through her insightful storytelling and profound reflections, Elizabeth Gilbert continues to touch the hearts of readers worldwide, encouraging them to embrace their vulnerabilities and live life with courage and authenticity.
Chief Editor
Tal Gur is an author, founder, and impact-driven entrepreneur at heart. After trading his daily grind for a life of his own daring design, he spent a decade pursuing 100 major life goals around the globe. His journey and most recent book, The Art of Fully Living, has led him to found Elevate Society.
